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Ottoman Violine

by A Gethsémani

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    Scanning from the original cassette mix. High-quality download in FLAC (24 bits).
    High-quality download in FLAC (24 bits).
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  • Cassette + Digital Album

    Original tape (1990), limited to a few copies.

    Includes unlimited streaming of Ottoman Violine via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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about

The title of the last cassette of A Gethsemani, released in 1990, was inspired by a verse by Guillaume Apollinaire: "The lady had a purple ottoman dress" (1909, Alcools). Half of it was recorded in France and finished in Mauritius, where in September 1989 I started the first year of my military service in cooperation.
Ottoman Violine is in the lineage of Poussière d'Eau: the instrumentarium remains the same, and the Mirage sampler is used more; Isabelle Morival, who followed me to Mauritius, is still singing; Sebastian Gandera plays on a track (B2), recorded in Châlons en Champagne.
The texts are borrowed from Charles Baudelaire and Pierre Reverdy.
If there is still no Mauritian influence, it is however there that I met Denis Charrier (another development worker), who composed the cover design, and who will later do that of Pieter Both.
The original tapes, limited to 200 copies, was distributed by FRONT de l'EST and AYAA Disque, who presented the tape in her catalogue as follows: "Sympathetic from the start, the approach of this duo adept at superimposing suave melodies and electronic extravagances becomes fascinating with Ottoman Violine".
Bernard Odot, May 2020

credits

released July 6, 1990

Instruments (DX7, Mirage, harmonium, drum machine, clarinet, percussions) & Voice: Bernard Odot
Voice: Isabelle Morival
Solo keyboard on Mosaïque: Sebastian Gandera
Mixed By – Bernard Odot
Graphic design of the cover: Denis Charrier

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about

A Gethsémani Paris, France

In 1986, I started to record alone, with a four-track cassette of melodic pieces with dark atmospheres.
The first thing I had to do was to choose a name, so my curiosity for religion and my aesthetic tastes led me to Gethsemane, a biblical name evoking both the threat and the appeasement that the night brings. ... more

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